I wrote the live score to Matthew Day’s work Thousands, which is part of a Trilogy
“IT’S LIKE DISCO BUTOH IN A GOLD WASH. THAT’S ABOUT THE BEST I CAN DESCRIBE IT.” John Bailey
Presenting a series of quiet moments and details in an exquisitely poised and controlled performance by Matthew Day, Thousands simultaneously suggests many time zones and individuals. Its slow, unfurling rhythm creates a powerful sense of stillness, opening up new spaces between performer and audience.
Choreographer/Performer: Matthew Day
Sound: James Brown
Lighting: Travis Hodgson
Dramaturgy: Martin del Amo, Deborah Pollard, Yana Taylor
I took these promo shots for the work:
